I love a good ID card, I can’t lie. They’re always fun to make too. Reillustrated the USA War Office stamp and photoshopped the guy into his uniform (haha). And as always aged (the fun part!)

When I tell you I’m obsessed with this film, I mean it. I’ve watched it many, many times. I wanted to pay homage to my love for it by redesigning some of the graphic props featured in the film. First up are Michael’s kitchen pin board which is home to old photos, bills, receipts and random bits and bobs really. Michael’s character is complex so I wanted to include a lot of different things from his life as a gay man with deep routed mental health issues and a debt problem.

Vintage style tickets I designed as poster for a gift. Each ticket features one of the their favourite films, and the ticket codes are their day of release.

‘A sense of belongings’ is an archival project that merges material culture, form vs function, and the theory behind relationships we have with objects. The exhibit and archive bring together a number of different people to share their most important item and it’s story.

If the planets from Star Trek had souvenir stickers

I know I would collect all of them if I was a Starfleet officer haha. I think the Risa one is my favourite! 🖖🏻

A trio of British Postcards from 1958, 1963 and 1928.

All based off of real postcards from my mum’s collection! All the messages are 100% real, enjoy reading.

Postcard front photograph credits:

© The John Barrett Collection/Mary Evans

https://www.vintag.es/2017/09/street-scenes-of-london-in-1963.html

© AWW

To create this worldbuilding project, I designed and printed graphic props that are described in the novel ‘They both die at the end’. I used both digital and analogue techniques such as letterpress and screen printing to manufacture the props which range from bus tickets to government papers.

Remake of a sticker that I found at The National Railway Museum inside the bullet train. The sticker reads ‘Fire Extinguisher’ with instructions on how to use. I then aged the stickers, one more than the other to create a better effect for potential prop design.

I recently watched The Shining and was so inspired by the cinematography and design of the film that I wanted to design a prop that could have made its way on screen.

The Horny Cow was grown from words, using popular sayings as the names for their products. Holey Moly, linking to Swiss cheese, and Holy Hell, for their spiciest (because who wouldn’t be saying that!)

The logo consists of three visual elements that can be dissected and used individually, yet still allowing for brand recognition. The halo reflects the purity of the brand, from its sustainability ethics such as edible burger wrapping. The hand drawn typography holds a natural feel, that is reminiscent of the brand.

Brand Story.

In a world filled with bland burgers, floppy fries and lack of authenticity, here at The Horny Cow we strive to be different, so we reimagined the fast food burger, replacing fries with Raw Slaw and dull burgers with homemade style ones, using only fresh ingredients. We pride ourselves on edible burger wrapping, made from rice paper, and use only eco friendly, recyclable packaging to bring straight to your door. Is it time for dinner? Then, it’s time for originality.

Without art there is silence, is a campaign and exhibition to bring the country and its art back together. It is aimed at the 50% of the population who, currently, do not visit Museums and Galleries, and hopes to change their attitude by showing what happens in a world without art.

In the first release of the campaign, a black and white image is used of a museum or gallery in which the artwork is missing. The lack of colour presents an eery feeling, especially against other campaigns today which are full of colour. A link to Artfund.org is available on the ad, prompting viewers to pledge a future visit to their local artspace.

As the campaign grows older, and more people pledge towards their visit, the poster transforms itself, adding sections of colour, and bringing the artwork back, until it reaches its former self.

The exhibition is an in-person event that supports the main campaign. It is targeted towards anyone, whether they consistantly visit galleries or not. Using the same visuals as the poster, but in the real world makes for an experiential design that could become viral online.

The online presence is vital to the campaign, the whole ArtFund website will be changed to B&W, until the user enters the 'without art there is silence' page and pledges. This will then transform the webiste back into full colour, the same way as the poster ads.

A completely silent TV advert to attract attention back to the screen. Adverts are a time that most viewers leave the room, or scroll through their phones.

Having an ad that uses no noise, reengages the viewer with the TV, because hearing nothing when adverts are on is unusual.

As a reader, I wanted to connect my love of books, the Romantic period and my love of design. I designed a 2 visual zines, a poster and stickers as a collectors item, targeted towards anyone with a fondness for English Literature or Graphic Design.

It uses quotes and imagery and the overall vibe of some of my favourite novelists and poets, from Byron, Shelley and Keats, to Ken Kesey, Jane Austen and F. Scott Fitzgerald.